MusGU+ Evaluation: AFTER

Training and export pipelines are GPU-oriented in practice. CPU-only training is technically possible but impractical within a reasonable timeframe.

The original version of the model, as described in the paper, was trained using approximately 400h of audio from the Synthesized Lakh dataset. Recent versions of AFTER include instrument-specific models, suggesting these data requirements have been significantly reduced. However, no documentation demonstrates that AFTER can be trained effectively on relatively small datasets.

Complete training workflows are provided, including dataset preparation, autoencoder training (optional), diffusion training, and export for real-time inference. Pretrained audio codecs are available to skip the autoencoder stage.

Training and export are conducted exclusively through command-line interfaces. Although documentation is thorough and aimed at technical users, adaptation requires significant programming knowledge, familiarity with PyTorch-based workflows, and manual configuration across multiple training stages.

The CC BY-NC 4.0 license permits sharing adapted models or checkpoints for non-commercial use with attribution, but redistribution is constrained and not explicitly promoted by the project.

Inference is available through Max/MSP patches, as well as Max for Live devices for Ableton Live, all built on top of nn~. While no standalone VST or web-based interface is provided, the Max for Live device enables direct use within a DAW environment.

The model, inference patches, and pretrained checkpoints are openly available. Inference can be run locally without usage limits, subscriptions, or paywalls once the software environment is set up.

AFTER is explicitly designed for real-time audio generation. Optimized exports enable low-latency performance suitable for live use, including continuous audio-to-audio and MIDI-to-audio generation.

AFTER integrates directly into established music workflows through visual programming environments and DAW-based contexts, specifically as a Max for Live device within Ableton Live, and is designed for live performance, real-time exploration, and structured musical interaction.

The generated output is licensed under Creative Commons Attribution–NonCommercial 4.0. Use is permitted for personal, artistic, and research purposes, but commercial use is explicitly restricted, limiting professional adoption without additional permission.

User support is available through the official ACIDS Discord server, alongside GitHub Issues.

AFTER supports multiple conditioning modalities, combining audio-to-audio and MIDI-to-audio pipelines for structural control, alongside audio conditioning for timbre.

The model provides explicit, structured time-varying control by separating timbre and structure representations. Conditioning inputs (audio or MIDI) directly shape temporal evolution during generation, enabling fine-grained control over musical form and dynamics.

AFTER explicitly disentangles timbre and structure through separate latent representations. This separation is central to the model’s design and enables predictable manipulation of distinct musical attributes.

AFTER exposes several inference-time control parameters, including conditioning strength, diffusion step count, and latent space controls. The Max for Live devices support coarse latent exploration via a learned 2D timbre map, with optional refinement through direct manipulation of latent dimensions.